Anish Kapoor

Anish Kapoor CBE RA (born 12 March 1954) is a British sculptor of Indian birth. Born in Mumbai (Bombay), Kapoor has lived and worked in London since the early 1970s when he moved to study art, first at the Hornsey College of Art and later at the Chelsea School of Art and Design.

He represented Britain in the XLIV Venice Biennale in 1990, when he was awarded the Premio Duemila Prize. In 1991 he received the Turner Prize and in 2002 received the Unilever Commission for the Turbine Hall at Tate Modern. Notable public sculptures include Cloud Gate, Millennium Park, Chicago, Sky Mirror exhibited at the Rockefeller Center, New York in 2006 and Kensington Gardens in 2010, Temenos, at Middlehaven, Middlesbrough, ‘Leviathan’ at the Grand Palais in 2011 and ArcelorMittal Orbit commissioned as a permanent artwork for the Olympic Park and due for completion in 2012.

Anish Kapoor was elected a Royal Academician in 1999 and in 2003 he was made a Commander of the British Empire. In 2011 he was made a Commander in the French Ordre des Arts et des Lettres and was awarded the Japanese Praemium Imperiale.

(taken from http://en.wikipedia.org/wiki/Anish_Kapoor)

Tony Cragg

Tony Cragg was born in Liverpool in 1949. He worked as a laboratory technician at the Natural Rubber Producers Research Association (1966-68) before attending Gloucestershire College of Art and Design, Cheltenham College, and the Royal College of Art, London (1973-77). Tony Cragg has lived and worked in Wuppertal, Germany, since 1977.

An artist of great international acclaim and immense energy, Cragg has developed more possibilities in the making of sculpture than any other sculptor since Henry Moore discovered the ‘hole’ as positive space. He has employed more materials than most, and tested them to their limits through a wide variety of means, so that he seems to be one hundred sculptors at any one time. Cragg’s contribution to the debate on contemporary sculpture practice is considerable. Early works of the 1970s were mostly made with found objects through which Cragg questioned and tested possibilities. Later pieces demonstrated a shift of interest to surface quality and how that could be manipulated, and a play with unlikely juxtapositions of materials. Results vary from the exquisite to the grotesque, from the refined to the crude, in bronze, steel, plastic, rubber, glass, wood, plaster and more.

Tony Cragg was elected Royal Academician in 1994. In the summer of 1999 the forecourt of Burlington House housed an installation of his new work. These complex bronze sculptures demonstrate his mastery over form and material. A solo exhibition, A New Thing Breathing, was held at the Tate Gallery, Liverpool, in spring 2000 and five monumental sculptures formed the first exhibition on the Terrace of Somerset House, London in autumn 2001.

(taken from http://www.sculpture.org.uk/TonyCragg/)

Jonathan Barnbrook

I like this guy just cos of the irony of some of his work. He often makes strong statements about war and poltics etc. And in a time like today what could be more relevant.

“Design is both a political and cultural force for change, although most designers choose not to think about the power it has.” – Jonathan Barnbrook

Ken Garland

A timeless british designer.

Luckily I had the honour of sitting in on a lecture of his and I have never been so amazed by one man. Everything he said was inspirational and moving and got you to think about things in a new and fresh way. Apart from being a top bloke, his work he did for CND was outstanding and conceptionally strong, not to mention everything else he has done over many years as a graphic designer.

Dynamo

 

The only words to describe this guy is simply magical. 

I first discovered him when i was watching TV and he came on a commercial. Some magicians and illusionists you can sort of start figuring out how its done, with Dynamo i couldnt even begin to think. See for yourself.

and how its done… its makes me curious without a doubt!